There is much that is highly proper and elegant in their language but we fail to appreciate it because their language is dead, and remains only in books.
He vindicates tragi-comedy on the following grounds: Just as they excel them in drama. He then criticizes French Drama especially for its shallowness: According to him, deviation from set rules and unities gives diverse themes to drama. They are inferior to the English Moderns in all these respects.
Before going deep into the essay, please read this para first. The French dramatists interweave truth with fiction to make it interesting bringing elements that lead to fate and borrow from history to reward the virtuous which he was earlier deprived of.
The classical dramatists not only followed the unities successfully; they also used language more Crites Favours the Ancients: He defends the English invention of tragi-comedy by suggesting that the use of mirth with tragedy provides "contraries" that "set each other off" and gives the audience relief from the heaviness of straight tragedy.
French drama led by Pierre Corneille strictly followed unities of time, pace and action. In the controversy Dryden takes no extreme position and is sensible enough to give the Ancients their respect.
Further, he suggests that English plays are more entertaining and instructive because they offer an element of surprise that the Ancients and the French do not.
Crites contends that modern playwrights are but pale shadows of Aeschylus, Sophocles, Seneca, and Terence. It is artificial and the art is too apparent, while true art consists in hiding art. The result is, their play becomes monotonous and tiresome.
Even the Ancients did not always observe the Unity of Time. The Ancients followed these rules and the effect is satisfying and pleasing. Both sadness as well as joy are heightened and are set side by side.
As Crites begins his defense of the classical drama, he mentions one point that is accepted by all the others: Since nobody speaks in rhyme in real life, he supports the use of blank verse in drama and says that the use of rhyme in serious plays is justifiable in place of the blank verse.
Neander says that Aristotle demands a verbally artful "lively" imitation of nature, while Crites thinks that dramatic imitation ceases to be "just" when it departs from ordinary speech--i. The Spaniards and the Italians have some excellent plays to their credit, and they divided them into three Acts and not into five.
Eugenius, more optimistic, disagrees and suggests that they pass the remainder of the day debating the relative merits of classical and modern literature. However, Lisideius who glorifies French plays, replies by saying that French Drama is superior to the English and also any other European Drama.
Crites interrupts Eugenius saying that they can not come to an agreement. English Drama then Neander also comes to the stage sharing his ideas as well. Rhyme helps the judgment and thus makes it easier to control the free flights of the fancy.
He finds single action in French dramas to be rather inadequate since it so often has a narrowing and cramping effect.
The treatise is a dialogue between four speakers:In a nutshell, John Dryden in his essay, An Essay on Dramatic Poesy, gives an account of the Neo-classical theory.
He defends the classical drama saying that it is an imitation of life, and reflects human nature clearly. Jul 10, · Dryden in Defense of An Essay. John Dryden whom Walter Scott named "Glorious John" writes Essay of Dramatic Poesy or An Essay of Dramatick Poesie () which is, "the most elaborate and one of the most attractive and lively" of his mint-body.com: English Literature.
AN ESSAY Of Dramatick Poesie. John Dryden () Edited by Jack Lynch  It was that memorable day, in the first Summer of the late War, when our Navy ingag'd the Dutch: a day wherein the two most mighty and best appointed Fleets which any age had ever seen, disputed the command of the greater half of.
Essay of Dramatick Poesie See Dryden's "Defense of An Essay of Dramatic Poesy" (), where Dryden tries to persuade the rather literal-minded Howard that audiences expect a play to be an imitation of nature, not a surrogate for nature itself.
External mint-body.com: John Dryden. Read this article to know about the summary and main arguments in Dryden's Essay of Dramatic Poesy, Of Dramatic Poesie, essay on dramatic poesy summary pdf.
Criticism flourished in England during the restoration of Stuarts. An Essay of Dramatic Poesy deals with views of major critics and the tastes of men and women. John Dryden’s Of Dramatic Poesie (also known as An Essay of Dramatic Poesy) is an exposition of several of the major critical positions of the time, set out in a semidramatic form that gives.Download